Myriam Boussahba-Bravard & Rebecca Rogers (dir.), Women in International and Universal Exhibitions, 1876-1937, New York, Routledge, 2018.
ISBN 9781138636057 (pour la version hardcopy)
ISBN 9781315196534 (pour la version electronic)
This book argues for the importance of bringing women and gender more directly into the dynamic field of exposition studies. Reclaiming women for the history of world fairs (1876-1937) it also seeks to introduce new voices into these studies dialoguing across disciplinary and national historiographies. From
the outset, women participated, as artists, writers, educators,
artisans or workers, and of course spectators without figuring among the
organizers of international exhibitions until the 20th century.
Their presence became more pointedly acknowledged as feminist movements
developed within the Western World and specific spaces dedicated to
women’s achievements emerged. International
exhibitions emerged as showcases of “modernity” and “progress,” but
also as windows onto the foreign, the different, the unexpected and the
spectacular. As public rituals of celebration, they transposed national ceremonies and protests onto an international stage. For spectators, exhibitions brought the world home; for organizers, the entire world was a fair. Women
were actors and writers of the fair narrative although acknowledgement
of their contribution was uneven and often ephemeral. Uncovering such
silence highlights how gendered the triumphant history of modernity was,
and reveals the ways women as a category engaged with modern life
within that quintessential modern space—the world fair.
Table of Contents
Introduction: Positioning Women in the World Fairs, 1876-1937
[Myriam Boussahba-Bravard and Rebecca Rogers]
Part I: Exhibiting Women: Collectors, Artists and Students
1. Expositions and Collections: Women Art Collectors and Patrons in the Age of the Great Expositions
[Julie Verlaine]
2. Unpretentious Paintings: Mexico’s National School of Fine Arts’ Women Students at the 1893 Chicago Columbian Exposition
[Ursula Tania Estrada]
3. Inserting the Personal in the International: The American Girl at the 1900 Paris Exposition
[Linda Kim]
Part II: Promoting Women: Professionals, Workers and Organizers
4. “After Mature Deliberation”: Women Lawyers’ Infiltration of the 1893 World Columbian Exposition
[Gwen Jordan]
5. International Expositions and the Rewriting of Portuguese Women’s History (1889-1908)
[Teresa Pinto]
6. A “Reason to Act, an Ideal to Strive Towards”: Women as Intellectual Organizers at the Paris Exhibition of 1900
[Anne R. Epstein]
Part III: Staging Otherness: Women on and from the Margins
7. African American Women’s Voices at the 1893 Chicago World Fair
[Claudine Raynaud]
8. Between Knowledge and Spectacle: Exotic Women at International Exhibitions (Paris, 1889 and 1900)
[Christiane Demeulenaere-Douyère]
9. International Activism After the Fair: New South Wales, Utah, and the 1893 World’s Columbian Exhibition
[James Keating]
Part IV: Mobilizing Women: National, International, and Transnational Feminism(s)
10. Rendezvous at the Expo: Building a Franco-American Women’s Network, 1889-1893-1900
[Karen Offen]
11. Forging the Transnational out of the International: Feminist Internationalism at World’s Fairs and International Exhibitions
[Tracey Jean Boisseau]
12. French Women at the Paris 1937 Exhibition: One Step Forward, Two Steps Back?
[Siân Reynolds]
